Painting and filmmaking are related mediums, but there is a relatively small canon of good films about painters. These are, by my own, probably highly debatable, count: Kenji Mizoguchi’s “Utamaro and His Five Women” (1946), George Cukor’s “Lust for Life” (1956), John Huston’s “Moulin Rouge” (1952), Andrei Tarkovsky’s “Andrei Rublev”