Patricia Kennealy-Morrison, Rock Journalist, Dies at 75

Patricia Kennealy-Morrison, Rock Journalist, Dies at 75

Patricia Kennealy-Morrison, who wrote about rock when music journalists have been simply starting to take it critically, and thru her work met Jim Morrison, frontman of the Doorways, with whom she stated she had a wedding of types, died on July 23. She was 75.

Her loss of life was introduced on the Fb web page of Lizard Queen Press, a publishing enterprise that she based and that printed her current books. The announcement didn’t give a trigger or say the place she died.

Within the late Sixties, initially as Patricia Kennely (she later modified the spelling of her final identify and, in 1979, added “Morrison”), she was a author for after which editor of Jazz & Pop, a small however well-regarded journal. She interviewed Morrison in 1969, and after they shook arms there was “a visual bathe of brilliant blue sparks flying in all instructions,” she wrote in a 1992 memoir, “Unusual Days: My Life With and With out Jim Morrison.” They quickly grew to become romantically concerned.

Ms. Kennealy-Morrison practiced Celtic paganism; on her Fb web page she described herself as “Writer, ex-rock critic, Dame Templar, Celtic witch, ex-go-go dancer, Lizard Queen. Not in that order.” (“Lizard Queen” was a reference to a line from a Jim Morrison poem, wherein he wrote, “I’m the Lizard King.”) In 1970 she and Morrison exchanged vows in a “handfasting ceremony” that concerned drops of their very own blood.

She stated her guide “Unusual Days” (additionally the title of the Doorways’ second album, from 1967) was a response to the 1991 film “The Doorways.” Oliver Stone, who directed the movie, had consulted her on it, and she or he even performed the Wicca priestess who presides over the handfasting. (Val Kilmer performed Morrison; Kathleen Quinlan performed Ms. Kennealy-Morrison.) However she stated she was outraged by the movie when she noticed it at a screening, feeling that it trivialized the ceremony, didn’t give sufficient prominence to her relationship with Morrison, and misrepresented him.

“If Oliver had been at that screening, we’d by no means have needed to fear about his film ‘JFK,’” she instructed The Each day Mail of London in 1992, referring to Mr. Stone’s subsequent movie. “I’d have killed him.”

Critics stated the guide was simply an try to achieve consideration and usurp the place within the Morrison mythos of Pamela Courson, one other of his love pursuits, who known as herself his common-law spouse. Morrison died in 1971 in Paris at 27; Ms. Courson, who was with him on the time, died a couple of years later, additionally at 27. Medicine have been suspected in each deaths.

In her guide, Ms. Kennealy-Morrison blamed Ms. Courson for Morrison’s loss of life, in a bath in his house. “She fed heroin to the person she claimed to like, leaving him dying whereas she nodded out,” she wrote.

In late October 2010, on the eve of Samhain, a Celtic spiritual pageant that impressed Halloween, Ms. Kennealy-Morrison spoke to The Each day Information in New York about her plans for marking the event.

“I’ll place a light-weight within the window to information the souls within the evening,” she stated. “I’ll have meals, pork and apples in Celtic custom for the ancestors from the opposite world. I’ll discuss to my beloved lifeless, together with my father and grandmother. It will likely be a joyful and deeply holy event. Jim normally reveals up. And when he does, I’ll have fun Samhain, the brand new Celtic yr, with my husband.”

Patricia Kennely was born on March 4, 1946, in Brooklyn and grew up on Lengthy Island. In 1963 she enrolled at St. Bonaventure College, a Franciscan establishment in Allegany, N.Y., to check journalism. That’s the place she found the Celtic faith.

“That they had a tremendous library on the topic at St. Bonaventure’s, I suppose working on the precept of ‘Know thy enemy,’” she instructed The Each day Information.

She transferred to Harpur Faculty in Binghamton, N.Y., after two years and earned an English diploma in 1967. Whereas there she found the political activism that was brewing on campuses throughout the nation. She additionally found rock music, and one 1966 album specifically.

“It was known as ‘Jefferson Airplane Takes Off,’” she wrote in “Rock Chick: A Woman and Her Music,” a 2013 compilation of her Jazz & Pop writings. “And so did I.”

Whereas in school she earned extra cash as a go-go dancer at nightclubs.

“Scorning the white boots and pastel-microdress go-go-girl template that was prevalent throughout the land, I went Darkish Aspect,” she wrote, “carrying a black leather-look fringed bikini, black fishnets and black knee-high boots.”

“I appeared like Zorro’s kinky girlfriend,” she added.

After graduating, she landed a job as an editorial assistant at Crowell-Collier & Macmillan Publishing in Manhattan. She noticed the primary cowl of Jazz & Pop journal on a newsstand in 1967 (it had been based as Jazz journal in 1962 by Pauline Rivelli, who in 1967 broadened it into rock protection and renamed it) and commenced lobbying for a job there. She was employed as an editorial assistant in early 1968. By the top of that yr she had been named editor.

The journal was one among a number of that got here alongside about the identical time that took the music extra critically than the fanzines of the period. (Rolling Stone was based in 1967.)

Ms. Kennealy-Morrison’s items set the tone for Jazz & Pop. Within the April 1970 subject, she wrote in regards to the affect that religions of varied sorts have been having on music. She thought, as an example, that the band Coven was invoking black magic in harmful methods. “Black magic is NOT merely an fascinating new wrinkle for the PR crowd to play with, or a sizzling new advert copy slant,” she cautioned.

Three months later she blasted rock followers as not being selective sufficient and never making use of their intellects to what they have been listening to.

“What number of excruciating guitar solos, what number of organ solos that have been so boring your legs began to harm, what number of meaningless vocal improvisations, have all of us sat by way of?” she wrote. “And on the conclusions of all of those varied monuments to rock ego, what number of standing ovations have we bestowed?”

Steve Hochman, a music journalist who was additionally a good friend, wrote of her affect in a Fb submit noting her loss of life.

“As a author and editor of Jazz & Pop journal,” he wrote, “she helped set up the then-embryonic realm at a time when few considered pop music as worthy of such crucial consideration.”

Jazz & Pop went out of enterprise in 1971.

Ms. Kennealy-Morrison’s survivors embody two brothers, Kevin and Timothy Kennely. A sister, Regina Kennely, died in March.

Starting within the mid-Eighties, Ms. Kennealy-Morrison wrote a collection of fantasy novels, collectively often known as “The Keltiad,” which drew on Celtic legends and mythology. Extra just lately, underneath the identify Patricia Morrison, she wrote mysteries with musical themes, drawing on her time within the rock world. Among the many titles are “Scareway to Heaven: Homicide on the Fillmore East” and “Daydream Bereaver: Homicide on the Good Ship Rock & Roll.”

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