Mark Duplass Can’t Get Enough of ‘Rocky II’

Mark Duplass Can’t Get Enough of ‘Rocky II’

It was when it started to dawn on me that an artist can have a life that is not you’re either the Top 10 on the Billboard Charts or the Top 10 in the box office — or you’re not doing it. These bands were raking in a couple of hundred bucks a night. They were local-ish celebrities. They also had day jobs. And they were successful artists in that way.

2. David Foster Wallace’s “Infinite Jest” I had made “Cyrus” and “Jeff, Who Lives at Home,” my two studio movies, and they had not lit the world on fire. So I had convinced myself that if you’re going to tell these oddball characters and this level of specificity, it’s never going to be successful. Then I read “Infinite Jest” and was like, “Oh no, you just didn’t do it well enough.” And it gave me comfort. I realized I’m not going to be an auteur like David Foster Wallace. I don’t have that in me. What I do have in me is I’m an incredible collaborator. I’m a great first leg on a relay team.

3. Tracy Chapman I was 12 and I was a skater punk with my snarky skater punk friends. We were watching “Saturday Night Live,” enjoying all the chopping broccoli jokes, and Tracy Chapman was the musical guest. She walked on and she played “Fast Car.” All my friends were like, “This sucks,” because we were Metallica fans. I was like, “Yeah, this sucks.” And I went into the bathroom and I sobbed my eyes out. I was like: “Well, I’m different than my friends. This is something else for me.” And that kicked me off into a singer-songwriter journey.

4. Neutral Ground Coffee House in New Orleans I was obsessed with the Indigo Girls, obsessed with Shawn Colvin. So from when I was 14 or 15 years old on, I would go to the Neutral Ground Coffee House every Sunday and see their open mic nights. Eventually I worked up my courage to play my original three songs, which — no false modesty — they were terrible. The guy who ran the place, Les Jampole was his name, looked me in the eye afterward and was like, “Hey, Mark, I dig your stuff, man.” And it was everything to me to have someone validate me from the outside. So I kept writing songs, and by the time I was 17, they offered me my own gigs. It was this tiny enclave of confidence-building for me.

5. Gus Van Sant’s “My Own Private IdahoIt was how I discovered independent film. I was 14 and I was a big fan of “Bill & Ted’s Excellent Adventure.” A big fan of “Stand by Me.” And I’m like: “Keanu Reeves, River Phoenix. Great. This’ll be a funny movie.” I went to go see it without reading anything, and that’s how I ended up at a Gus Van Sant art film.

6. Movie Pitchers in New Orleans

Movie’s was a second-run art house cinema, and they didn’t card very hard, God bless them. From ’92 to about ’95, when I graduated high school, that’s where I got my independent cinema education. And I could convince some of my friends to come with me because they would serve us pitchers of beer and we’d watch movies in recliners.

Source link

Leave a Reply

Your email address will not be published. Required fields are marked *